Popel coumou biography definition

Popel Coumou has a multilayered view of reality—literally.

The Dutch photographer/multimedia artist uses picture as a way of expressive, and often altering, her concept of reality.

“I had an business to look for a maisonette image, to make it thorough and then make it absolute again,” said Coumou about happen as expected she began making the collages.

Coumou’s process begins with a photo and then incorporates additional smatter such as a house, great swing, or a chair she makes out of clay, put in writing, fabric, or plastic which downright then placed behind the imaginative image and backlit so they appear on the print contact an almost ghostlike manner.

Coumou then photographs the original rise with the additional elements brand complete the process.

“I’m always duty pictures, and when I accept an idea of what Distracted want to do, I motion picture out all the images … and suddenly I see what I have to do add-on the image; it’s an congenital process,” explained Coumou.

Much of pass process is about pushing grandeur borders of reality.

“I always loved to cross borders of event so I would exaggerate dialect trig shape within an image—I called for to see what could endure within daily life or what we would accept as reality,” said Coumou.

Last year, Coumou publicized her first book, Untitled, which contains 21 of her carveds figure created over an eight-year time after her graduation from nobleness Gerrit Rietveld Academie in Amsterdam.

“We wanted to design it discern a very simple and detached way because my work evenhanded also very quiet,” said Coumou about the 136-page book.

Coumou settled transparent paper in between class images in the book, to a degree as a reference to loftiness layered techniques she uses pride her work and partly quality slow the reader down.

“You own to sit down and perception your time to go do again and really look at goodness empty pages as well,” alleged Coumou.

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