Auditorio silvestre revueltas biography

Silvestre Revueltas

Mexican composer (1899–1940)

In this Land name, the first or paternal surname is Revueltas and the more or maternal family name assessment Sánchez.

Musical artist

Silvestre Revueltas Sánchez (December 31, 1899 – Oct 5, 1940) was a Mexican classical music composer, a instrumentalist, and conductor.

Life

Revueltas was home-grown in Santiago Papasquiaro in City, and studied at the Genealogical Conservatory in Mexico City, Depart this life. Edward's University in Austin, Texas, and the Chicago College cut into Music. He gave violin recitals and in 1929 was receive by Carlos Chávez to agree assistant conductor of the Racial Symphony Orchestra of Mexico, unblended post he held until 1935.

He and Chávez did luxurious to promote contemporary Mexican refrain. It was around this intention that Revueltas began to put in writing in earnest. He began queen first film score, Redes, force 1934, a commission which resulted in Revueltas and Chávez gushing out. Chávez had originally looked-for to write the score, however political changes led to him losing his job in high-mindedness Ministry of Education, which was behind the film project.^[1] Revueltas left Chávez's orchestra in 1935 to be the principal director of a newly created take precedence short-lived rival orchestra, the Orquesta Sinfónica Nacional.

He was a shareholder of the Revueltas Sánchez cover, a number of whom were also famous and recognized unsubtle Mexico: his brother Fermín (1901–1935) and sister Consuelo (born formerly 1908, died before 1999) were painters, sister Rosaura (ca.

1909–1996) was an actress and person, and younger brother José Revueltas (1914–1976) was a noted litt‚rateur. His nephew Román Revueltas Retes, son of José, is a- violinist and conductor.^[3]

In 1937 Revueltas went to Spain during righteousness Spanish Civil War, as real meaning of a tour organized toddler the leftist organization Liga fundraiser Escritores y Artistas Revolucionarios (LEAR);^[4] upon Francisco Franco's victory, proscribed returned to Mexico.

He fitting little, and fell into insolvency and alcoholism. He died boring Mexico City of pneumonia (complicated by alcoholism), at the exposй of 40 on October 5, 1940, the day his choreography El renacuajo paseador, written quatern years earlier, was premiered. Make the addition of 1976, his remains were transferred to the Rotonda de los Hombres Ilustres in Mexico City.^[5]

Works

Revueltas wrote film music, chamber descant, songs, and a number avail yourself of other works.

His best-known walk off with is the 1960 arrangement tough José Yves Limantour [es] drawn running away Revueltas' film score for say publicly 1939 film La noche be more or less los mayas, although some rejecting opinions hold that the orchestral work Sensemayá is better known.^[7] In any case, it review Sensemayá that is considered Revueltas's masterpiece.

He appeared briefly as a-one bar piano player in birth movie ¡Vámonos con Pancho Villa! (Let's Go with Pancho Villa, Mexico, 1935), for which stylishness composed the music.

When dangerous breaks out in the stick while he is playing "La Cucaracha", he holds up clean sign reading "Se suplica cack-handed tirarle al pianista" ("We entreat you not to shoot go ashore the pianist").^[9]

Music

Chamber works

El afilador, 1924
Batik, 1926
Four Little Pieces for several violins and cello, 1929
String Foursome No.

1, 1930
String Quartet Maladroit thumbs down d. 2, 1931
String Quartet No. 3, 1931
String Quartet No. 4, Música de feria, 1932
Tres piezas, get on to violin and piano, 1932
Tres pequeñas piezas serias, for quintet operate mixed winds, 1932–33
Ocho x radio, 1933
Planos, 1934
Homenaje a Federico García Lorca, 1936
Éste era un rey 1940
First Little Serious Piece, keep chamber ensemble, 1940
Second Little Imaginary Piece, for chamber ensemble, 1940

Orchestral works

Pieza para orquesta, 1929
Cuauhnáhuac, receive string orchestra, 1931; revised aim full orchestra, 1931; revised besides for full orchestra 1932
Esquinas, 1931 (rev.

1933)
Ventanas, 1931
Alcancías, 1932
Colorines, supply chamber orchestra, 1932
Janitzio, 1933 (rev. 1936)
Toccata (sin fuga), for cheat and chamber orchestra 1933
Troka, 1933
Caminos, 1934
Danza geométrica (orchestral version carry out Planos), 1934
Sensemayá, 1938
Itinerarios, 1938
Música pregnancy charlar, 1938 (from the tegument casing score of Ferrocarriles de Baja California)

Ballets

El renacuajo paseador, 1936
La coronela, 1939 (unfinished; orch.

by Moncayo, arr. by Limantour; also undamaged by Blas Galindo and Candelario Huízar, lost)

Film scores

Songs

Duo para pato y canario, voice and conclave orchestra, 1931
"Ranas" (Frogs) and "El tecolote" (The Owl), voice duct piano, 1931
Caminando, 1937
"Canto a una muchacha negra" (words: Langston Hughes), voice and piano 1938
Cinco canciones para niños y dos canciones profanas, 1938–1939

Piano

Adagio
Tragedia en forma valuable rábano (no es plagio)
Allegro
Canción (a passage used also in Cuauhnáhuac)

References

Citations

^Huscher, Phillip (May 13, 2010).

"Program Notes – Suite pass up Redes (Nets)"(PDF). Chicago Symphony Horde. Retrieved 2019-05-11.
^Brennan, Juan Antonio; Kolb Neuhaus, Roberto (2004). Silvestre Revueltas (OSUG, José Luis Castillo) (booklet). Román Revueltas, Orquesta Sinfónica sign la Universidad de Guanajuato, José Luis Castillo.

Quindecim. pp. 7, 33. QP123.
^Hess 1997, ^{[page needed]}.
^"La obra dulcet de Silvestre Revueltas se mantiene como emblema de México peril el mundo" [The musical outmoded of Silvestre Revueltas is engaged as a symbol of Mexico before the world]. Instituto Nacional de Bellas Artes y Literatura (in Spanish).

October 5, 2022. Archived from the original apprehension June 2, 2024. Retrieved June 2, 2024.
^Clark 1999, 240; Estrada 1982, 191; Hoag 1987, 173; Morris 1996, 280; Velazco 1986, 343
^In Palencia 2000, 26, Revueltas' appearance in this scene recap cited as an example break into his sense of humor.
^James Reel. Música para charlar, concert version expose film score for orchestra doubtful AllMusic

Sources

Clark, Walter Aaron (1999).

"The Music of Latin America". Fasten Julio López-Arias; Gladys Varona-Lacey (eds.). Latin America: An Interdisciplinary Approach (3rd ed.). New York: P. Colloquial speech. pp. 233–253. ISBN .
Contreras Soto, Eduardo (2000). Silvestre Revueltas: Baile, duelo lopsided son. Ríos y Raíces.

México, D. F.: Teoría y Práctia del Arte. ISBN .
Estrada, Julio (Autumn–Winter 1982). "Raíces y Tradición haste la Música Nueva de México y de América Latina". Latin American Music Review / Revista de Música Latinoamericana. 3 (2): 188–206. doi:10.2307/780136. JSTOR 780136.
Hernández, Juan grant Dios (2009).

Nationalism and Harmonious Architecture in the Symphonic Sound of Silvestre Revueltas (DMA). Tucson: University of Arizona.
Hess, Carol Straighten up (Autumn–Winter 1997). "Silvestre Revueltas market Republican Spain: Music as State Utterance". Latin American Music Review. 18 (2): 278–296.

doi:10.2307/780398. JSTOR i231926.(subscription required)
Hoag, Charles K. (Autumn 1987). "Sensemayá: A Chant for Execution a Snake". Latin American Medicine Review / Revista de Música Latinoamericana. 8 (2): 172–184. doi:10.2307/780097. JSTOR 780097.
Kolb-Neuhaus, Roberto (2023).

Silvestre Reveultas: Sounds of a Political Passion. Oxford University Press. ISBN .
Morris, Leading (1996). A Guide to 20th-century Composers. London: Methuen. ISBN .
Palencia Choreographer, Héctor. 2000. "Voces magistrales: Silvestre Revueltas"^{[dead link‍]}.

In Conservatorianos: Revista de información, reflexión y divulgación culturales 6 (November–December): 25–29 (Archive from 2 November 2011, accessed 2 July 2014).
Velazco, Jorge (Autumn–Winter 1986). "The Original Version appeal to Janitzio, by Silvestre Revueltas". Latin American Music Review / Revista de Música Latinoamericana.

7 (2): 341–346. doi:10.2307/780220. JSTOR 780220.