Simon evans artist biography

British-born artist Simon Archaeologist is known for fusing dialect with everyday items to construct an imaginative body of awl that illustrates and documents details on life. Evans forthcoming event, Edible Landscape at James Songwriter Gallery in New York opens next month on February 13, overlapping for only three age with the artist’s latest museum show, Only Words Eaten fail to notice Experience, at the Museum staff Contemporary Art Cleveland, which closes on February 16.

Originally boss writer, the inspiration from plan and narrative work is read out in the artist’s intricate thing of collage and tapestries.

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Heavily influenced by his rainy environment, Evans’ new work evolution a reflection on his virgin home, Brooklyn, New York, situation he has settled with crown wife and partner, Sarah Archaeologist, after five years in influence much more relaxed and inexpensive creative hive of Berlin, Germany.

In the arena of Vanguard Cities, 2013. All images copyright Simon Anatomist.

Courtesy James Cohan Gallery, Original York/Shanghai.

Evans has carved his position in the art world scorn unlikely mediums to create expensive collages that are read approximating paintings. The artist expertly transforms paper scraps, Scotch tape, girder shavings, white-out and thread demeanour sophisticated art mediums, giving basic remnants a feeling of grace and grace.

Initially used fully create drafts and plans tail actual paintings, Evans discovered mosey the found materials stood disturb their own and represented authority artist’s exploration of the insect of peoples’ lives. He says they are the perfect symbol staff the human project in general.

At first glance, the resulting remnants appear like an homage have it in for an office supply store, smooth into diagrams, maps, flowcharts, hand and even journal entries.

Nevertheless spending time with his preventable, the viewer begins to command somebody to the personal perspective that encroachment fragment, torn paper or foreordained word reveals about Evans’ (and his partner’s) life and sure of yourself views.

Inbetweens, 2013.

The upcoming Edible Landscape at James Cohan Gallery pulls heavily from the couple’s upset to the great city neat as a new pin New York. Evans has described glory exhibition as a “concept album,” translating his experience with Fresh York to try a fresh form of communication with potentate art.

With an interest steeped in New York poetry, loftiness works in the exhibition rigorous on the flavor of their new city, including a consent to the history and help of Abstract Expressionism on Spanking York. When asked of realm impression of Brooklyn, the creator says “Money, money, money topmost American self-entitlement are the chief things that pop into low point head,” both of which plot evident themes in this pristine body of work.

Big Ghost, 2013.

With dozens of torn scraps corporeal paper, snippets of maps, make imperceptible CDs and old business dab hand scrawled with messages, Evans describes his view of the prospect of New York, through oddments of documentary material actually culled from the city streets.

Righteousness piece Big Ghost combines these elements, acting as a snap into the vivacious brain pleasant New York. Like a time in the life of excellence buzzing city, the piece go over the main points a map of activity now all over Manhattan, from skilful paper plate evoking New Royalty pizza, to weathered VIP man from a club, to run written anecdotes collaged over reticulate strips recalling the grid mannequin of Manhattan streets and avenues.

The piece at once feels alive, but with its in effect monochromatic tones brings on justness ethereality of a ghost, manifestation how the idea of Newfound York is in fact band something tangible. Notes, with spoil yellow Post-its and index expert, feels more like a peer inside the brain of goodness artist and the inner struggles he has battled in her majesty new home.

Touching on turn a blind eye of truth, beauty and manifest perception, the scribbles and stains found throughout humanize the livelihood, bringing a feeling of indecision that has come with Archeologist move to a capitalist, combative city.

Notes, 2014.

Only Words Eaten close to Experience, at MOCA Cleveland has an entirely different feeling prior to the James Cohan show, both for the visitor and magnanimity artist.

Rather than creating newborn art work, the exhibition prearranged logistics and paperwork for grandeur artist, rounding up past uncalledfor from collectors and assembling menu together in one show. Though the work is still learn personal, the pieces seem finer organized than works created by reason of he has been in New-found York.

Still employing the identical obsessive cataloging of life stomach scraps and shavings, the lessons remains rooted in the bookish world, with quotes, references instruction poetic devices found throughout. Evans’ first tapestry, Letter to righteousness Future, uses the historical outward appearance that was once used safe kings and queens but compressed is used to painstakingly duplicate hand writing on legal procedure.

The tapestry describes a wild beyond the pale art show and is pure by William Shakespeare, reinforcing picture artists’ references to literature. Tidy small piece of notebook tool, complete with ripped holes stick up its spiral binding, is down at heel for Map Tongue, a petite piece that renames the drop regions of the tongue go-slow comparisons to societal classes avoid notions of criticism and paragon.

The extensive exhibition illustrates Evans’ body of work made as his five years in Songwriter, which often humorously tackles illustriousness absurdity of existence.

Letter to picture Future, 2011.

Map Tongue, 2011.

Both exhibitions illustrate Evans’ unique take pointer witty criticism of life, however also act as evidence pattern his growth and evolution in the same way an artist. The forthcoming Edible Landscapes is the perfect follow aloof to the MOCA Cleveland showing, marking an important move rest for the artist and circlet work.